Saturday, 23 June 2012

Corrie Nielsen AW12: Vestiarium Scoticum

Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
Corrie Nielsen Vestiarium Scoticum AW12 tartan heritage
One of my London Fashion Week highlights, Corrie Nielsen's AW12 collection Vestiarium Scoticum was a truly sumptuous affair transporting the eagerly anticipating audience straight to the Scottish Highlands. The collection was named after a book documenting Scottish fashion and the iconic tartan print, the ancient manuscript delved into the subtleties of how each tartan is steeped in history from the clans who produced their unique patterns. 
This collection is an ode to the sweeping Scottish countryside, and milliner Emma Yeo referenced this in her use of pheasant feathers, eloquently elongating the silhouette. In a thoroughly modern touch a striking black tartan transfer was also applied to the models' faces, complemented by elegant statement buns in their hair.
The show opened with a vibrant red tartan, but soon moved into the base of monochome, supporting the Gothic feel of the collection. Nielsen played with layering and mixed in with the traditional tartan I saw sweet polka dots. They were dotted over a the tartan design of a skirt harking to the kilt and also placed on the the models' hands.
I really loved the placement of light and airy tulle, perhaps referencing the spacious open air of Scotland, and thought it particularly gorgeous where gathered pristinely in an extravagant collar. The muse of this collection seems strong but this soft choice of fabric also suggests a fragility within.
Having worked for Vivienne Westwood for six years from 2000, Corrie Nielsen's signature sculptural take on tailoring shines in the grand designs of this collection with striking voluminous details such as strong shoulders and peplums. These contrasted with sleek, wearable pieces such as pencil skirts and I adored the ladylike feel of the nipped in waists. However, the two finale looks swept away any thought of practicality.
The penultimate look saw an almost angelic soft but structured white top and a stunning skirt reminding me of the exaggerated Rococo dress silhouette. Then the very last decadent look captured a dark, foreboding, dangerous feel in the magnificently cut cape.
From start to finish this show held the audience firmly in its grip. The 2010 Fashion Fringe winner, Nielsen is an incredibly exciting talent and this was an extremely exciting showcase of her talent which I am sure we will see plenty more of.

1 comment:

Sarah said...

This collection is beautiful!
x

Post a Comment